Wine+Book Chat TODAY with Susannah Gora

goraheadshot3Uncork that bottle of Pinot and get ready for our next Wine+Book Chat with our guest, a March Top Pick author Susannah Gora, learning more about her book and discussing all of your favorite John Hughes flicks. Now is your chance to speak directly with the author about YOU COULDN’T IGNORE ME IF YOU TRIED: The Brat Pack, John Hughes, And Their Impact on a Generation. Consider this your official invitation!

YOU’RE INVITED!
45479388.JPGWhat: Tweet Chat with author and entertainment jouranlist SUSANNAH GORA
When: Monday, March 22nd (TODAY!) 8p-9p EST
Where: Twitter, use hashtag #bebabes to follow the feed
Discussion: Her book YOU COULDN’T IGNORE ME IF YOU TRIED. Share what you loved and learned about your favorite John Hughes’ movies and ask Susannah those burning questions you have about her work.

photoPrize:

At the end of the tweet chat, one lucky participant will receive a “Book End Babes Brat Pack” perfect for playing hooky, a la Ferris Bueller-style including:
-a spring tote bag
-YA novel, IT’S NOT SUMMER WITHOUT YOU by Jenny Han
-a pretty in pink Philosophies fridge magnets
-Real babes read Book End Babes bookmarks

The trials of “Parrothood”

by March Top Pick author Jenny Gardiner

smAuthor1-1My parrot wants me dead. She hates me. Proof is the triangular chunk of flesh now missing from both the front and back of my thumb, testament to the dangers of a beak that’s as powerful as an industrial metal-stamping die.
It seems where I’ve met with moderate success in parenthood–i.e. maintaining the upper hand in the relationship–I’ve failed miserably in parrot-hood.

Parrot-hood, you ask? Yes, in my case, that would be the state in which one must sustain a parrot.

Graycie, a too-smart-for-our-own-good African Gray parrot, came to our family from the wild, a Christmas gift from a relative living in Zaire 20 years ago. Graycie arrived on our doorstep–with a temporary stop in parrot prison (quarantine)–in good health but bad temperament. The first few years were arduous, as she was ferocious, snapping and growling at us when we got near. Who could blame her? Poor thing was chopped down from a tree and separated from her parents, stuffed into a crate with a hundred other terrified baby birds, and left to survive with little food or water.

Had I anything to say in the matter, I would have nixed owning a contraband bird from the get-go (back then most parrots ended up in the U.S. this way; shortly thereafter such means of parrot acquisition were banned). Nevertheless, I was determined to make the best of the situation, despite the fact that she arrived on the heels of the birth of our first child. I was having enough trouble dealing with the demands of a small human who needed my attention all day and night, so was ill-prepared to welcome a bird into the home who expected that and then some.

To some extent, Graycie’s redeemed herself over the years. She’s become quite the talker: she puts my kids in time-outs when they get sassy, yells at the dog when she tries to eat her, and answers the phone in my husband’s voice. Ditto his burps and sneezes. Recently when I used a broom to nudge her back onto the cage from the floor, she pecked at my feet and the broom while repeatedly saying, “Hello gray chicken!”

For a while Graycie got somewhat nice. She let us hold her, sometimes even stroke her feathers. Unfortunately she’d scoot up my arm and perch behind my neck, precariously close to that vital jugular vein and far too inclined to poop on my back, so I didn’t make a habit of such visits. Maybe that angered her.

Lately she’s lapsed into a phase of oppositional defiance that has me vexed (and mysteriously at the vortex of her wrath).

My friend is convinced Graycie needs a boyfriend. She is a teenager, after all. I’m convinced she needs anger management therapy. Perhaps, though, she is really a he and is tired of being called a girl (back when we got her, the only way to determine a bird’s gender was surgically, so we just guessed at it).

Whatever it is, I know this: what she wants most is to wound me. Often. When I clear the paper from beneath the cage, she races down to attack me, and gleefully rips my hair out. When I reach to open the perch on top, she’s there before I complete the job, straining as far as her body can reach in order to take a chomp my way. When she sneaks off the cage on her frequent surreptitious walkabouts, she attacks my ankles and feet as I try to catch her and return her to home base. I’m the first to admit I can’t quite control her.

When I glance at her, she just gazes back with a cold, black stare that says, “You know I could snap your finger in half easier than you could break a Lorna Doone in two, beyatch.” And she means it. The old adage about not biting the hand that feeds you must’ve slipped right on past her.

—–
To read more about Graycie and Jenny’s escapades, click on the link to WINGING IT in the sidebar and visit her author site at www.jennygardiner.net.

Jenny will be back later this week in a special Book End Babes interview. She’ll also join us for a Twitter Wine+Book Chat on Thursday, March 25th at 5 p.m. EST.

Author Jenny Gardiner’s Recipe

March Top Pick author Jenny Gardiner steps into our babe-a-licious kitchen to cook up a recipe she thinks would be divine for your next book club!

smAuthor1GOAT CHEESE TORTA (from Jr. League Celebration Cookbook)

Makes 12 to 16 servings

2 (8-oz) pkgs. Cream cheese, softened
7-8 oz. Mild goat cheese
2 cloves garlic, minced
4 tsp. Snipped fresh oregano, or 1 tsp. Dried oregano, crushed
1/8 tsp. Freshly ground peppers
1/4 c. prepared pesto
1/2 c. sun-dried tomatoes packed in oil
1-2 slivered almonds, toasted
fresh oregano or parsley sprigs
stone-ground wheat crackers or thinly sliced baguette

Line a 1-qt. Loaf pan or souffle dish w/ clear plastic wrap. In a food processor bowl or large mixer bowl, combine the cream cheese, goat cheese, garlic, oregano and pepper. Process or beat w/ electric mixer until smooth. Spread 1/3 of the cheese mixture into bottom of pan. Top w/ the pesto, spreading evenly. Layer w/ another 1/3 of cheese mixture. Drain sun-dried tomatoes, reserving 1 tomato for garnish. Chop the remaining tomatoes and spread evenly over the cheese mixture. Top w/ remaining cheese mixture. Cover plastic wrap and press gently to pack the cheese. CHILL SEVERAL HOURS!
Uncover cheese, invert onto serving plate, and remove plastic wrap. Cut reserved sun-dried tomato into thin slices. Garnish torta w/ tomato, toasted almonds, fresh oregano or parsley. Serve w/ crackers or baguette. American Title III winner, Sleeping with Ward Cleaver, (Available now! – click on the book cover art to learn more about the book from Amazon.)

Winging It: A Memoir of Caring for a Vengeful Parrot Who’s Determined to Kill Me (Simon Spotlight Entertainment/March 2010)
www.jennygardiner.net
www.jennygardiner.net/blog/

You Couldn’t Ignore Me If You Tried

I’m digging into this book tonight! Anyone else read it? I can’t wait to get some behind-the-scenes scoop on some of my favorite movies from the ’80s. I was a big Molly Ringwald fan. Sweet Sixteen is probably my favorite John Hughes flick. What about you? – ML

You Couldn’t Ignore Me If You Tried: The Brat Pack, John Hughes, and Their Impact on a Generation
by ROD LOTT
molly_ringwaldIf you can finish the sentences spoken by the characters in John Hughes’ films, Susannah Gora has a book for you: YOU COULDN’T IGNORE ME IF YOU TRIED: THE BRAT PACK, JOHN HUGHES, AND THEIR IMPACT ON A GENERATION. It tells the behind-the-scenes stories of his teen films that were so unlike others in the genre, they were embraced by and defined an entire age group.

Hughes lucked into the film world via advertising and his days writing for NATIONAL LAMPOON, penning a number of screenplays before being allowed to make his directorial debut with the comedy SIXTEEN CANDLES. Although not a huge hit, its impact was felt immediately.

Through conversations with Hughes’ actors, crew members and peers, Garo gives a rich portrait of his creative process, respect for young people, and diligence in achieving his vision, studio heads be damned. The bonds he formed with Molly Ringwald and Anthony Michael Hall carried over into THE BREAKFAST CLUB, but FERRIS BUELLER’S DAY OFF marked the end of a short era. Hughes didn’t direct some of his later teen films, like PRETTY IN PINK and SOME KIND OF WONDERFUL, before moving away from the genre for good.

And while he abandoned it for greener pastures (i.e. HOME ALONE) and pure paycheck assignments that made millions more dollars (i.e. 101 DALMATIANS), it’s his teen movies that enjoy a healthy life. Although his death last year reminded us of the home the films have in our hearts, it’s likely we didn’t need the prompting. I could quote Hughes’ screenplays in my sleep.

Gora’s chapters — one film per — also give the same treatment to Joel Schumacher’s ST. ELMO’S FIRE and Cameron Crowe’s SAY ANYTHING … . The inclusion of Crowe’s film makes sense; I remember thinking on opening day how much of it felt like Hughes’ golden age. But ST. ELMO’S FIRE perplexes me, foremost because it’s a piece of crap full of abhorrent, self-absorbed characters and false emotions. Hughes’ work struck such a chord because so much of it was honest. I’d much rather see FIRE jettisoned in favor of WEIRD SCIENCE, which the author skips, citing lack of influence. I can’t agree with that — ask someone to quote WEIRD SCIENCE and count the results. Then ask him or her to do the same to ELMO and listen for the cricket chirps.

Detours are taken to discuss David Blum’s infamous “Brat Pack” article for NEW YORK magazine, which several actors — Judd Nelson and Ally Sheedy included — blame for harming their careers, and for the role music played in Hughes’ movies.

But it’s the stories of those movies that drive Gora’s book to the heights it hits. With Hughes now gone and only one DVD commentary to his name, this may be the most complete account we ever get. And I do mean complete — despite Gora’s obvious love for the films, too, Hughes doesn’t escape criticism, particularly for his tendency to drop friends like hot potatoes for the most minor infractions.

Warts and all, however, I love him. If you share that sentiment, you’ll likely want to read this in one sitting as I did. —Rod Lott

Want the book? Just click on the link in the sidebar to order.

Wine Wednesday

Need a racy wine to go along with our Top Picks this month? From Graycie, the foul-mouthed protag parrot in WINGING IT, to the eff-bombs dropped with aplomb by candidate McCain as revealed in GAME CHANGE, our picks call for a wine like this one! Read up, drink up.

7081>Schild Shiraz Barossa Valley 2007
Wine Spectator Top 100: 2009 Rank: 43

“Polished and generous, offering a racy mouthful of tobacco-accented cherry and black currant fruit that finishes with an edge of dried sage, licorice and fresh cream. This lingers impressively, showing amazing depth. Drink now through 2017. 8,200 cases made”.

www.wineoutlet.com