I’ll admit it. The title caught my eye. In the right context, all three are fun. But what author Adair Lara is talking about in Naked, Drunk, and Writing is letting go of your inhibitions and getting your story on paper.
I picked it up and read the back cover of questions she promises to help readers answer and was hooked:
- How do I know where to start my piece and where to end it? (Exactly!)
- How do I make myself write when I’m too scared or lazy or busy? (Definitely need help here.)
- What makes a good pitch letter, and how do I get mine noticed?
- I’m ready to publish – now where do I find an agent?
- If I show my manuscript to my mother, will I ever be invited to a family gathering again? (Sorry, Mom!)
Lara, a former columnist for the San Francisco Chronicle, MFA teacher, and an Associated Press Best Columnist in California, divides the book into five sections: writing down your story, personal essays, techniques, memoirs, and getting published. Each section is broken into easily digestible pieces, such as outlining the essay, using images to provide details, being careful with tone, and how to handle rejection and acceptance.
The author gets to the heart of the matter by asking you to dig deep and be honest. Give the reader specific details, put them in the scene, add emotion but leave out the sentimentality. Make them hear the waves lapping at the jagged rocks, make them feel the heat of your skin reddened by the sweltering afternoon sun.
Additionally, Lara offers writing exercises and prompts within each section. For example, when discussing emotion and details, she suggests we “write about the thing beside the thing.” It’s the tiniest of details that can bring the story to life.
Another bit of advice: “Part of finding your voice is knowing whom you’re talking to,” she says. Lara tells the story of author Jane Jacobs, who would share her ideas with a Celtic novelist, Thomas Jefferson, and Ben Franklin. The imagined conversations often led to new ways of looking at ordinary objects, Jacobs said.
The most helpful part of the book for me has been how to find an angle. Many stories live in my head, but I have trouble figuring out why and how I should tell them. What’s the point in talking about burning old love letters? Lara’s techniques have enabled me to get to the meat of piece and end up with something that, although personal to me, still touches someone else.
Naked, Drunk, and Writing has won a place on my writing shelf … next to Anne Lamott’s Bird by Bird, Natalie Goldberg’s Writing Down the Bones, and Brenda Ueland’s If You Want to Write.