Beautiful Books, Old and New – Ralph Waldo Emerson

I love books. When I was a young woman, I wanted a house full of shelves filled with splendid books. Mama shopped the garage sales and estate sales on the weekends then, as she still sometimes does now, and she used to drag me with her. Once — only once — I hit the jackpot. At the estate sale of a majestic old home, I found a box full of gorgeous hardbound books covered in leather or cloth and labeled inside. The labels were glued inside the front covers, each volume numbered and dated by hand, once atop the shelves of the F. F. Duell Library.  I’ve no idea who Duell might have been but I know F. F. Duell once existed because I hold a piece of that life in my hand. It’s an old book, purchased on November 15, 1913, for fifty cents, according to the meticulous label. It’s titled The Early Poems of Ralph Waldo Emerson. I’m not the first owner, nor, most likely, the second. The copyright is 1900, so the book was thirteen years old before Duell picked it up. It has a red cloth cover and brittle, browning deckle-edge pages. The book is in poor shape and is probably worth nothing except to me.

I’d never paid much attention to Emerson before pulling that book out of the box. He struck me as vaguely important, probably because of my childhood Louisa May Alcott fixation. The frontispiece is a black and white photo of an old man in formal dress with white hair and a rather large nose. Then I began to read. Things like “Uriel”, “Bacchus”, and “The Sphynx”. My favorite by far is so short I can share it in full:

The Amulet

Your picture smiles as first it smiled,
The ring you gave is still the same,
Your letter tells, O changing child,
No tidings since it came.

Give me an amulet
That keeps intelligence with you,
Red when you love, and rosier red,
And when you love not, pale and blue.

Alas, that neither bonds nor vows
Can certify possession;
Torments me still the fear that love
Died in its last expression.

 

I fell in love with Emerson upon reading this poem. It’s perfect still to my mind. Especially at seventeen, I identified with the verse. Emerson loves someone. He doubts his beloved. He’s neurotic. He begins a sentence with “and”, a particular fault of mine according to my high school English teacher. Emerson was my first literary love.

So how could I possibly resist The Annotated Emerson?

The poetry is but a small part of this lovely volume. It contains those I’ve mentioned except “The Amulet”. The best bits and pieces of Emerson’s writing, collected by David Mikics into one lengthy, heavy, grand volume. There are essays on John Brown and Thoreau, a letter Emerson once wrote to President Martin Van Buren in defense of the Cherokee nation, and an address on emancipation in 1844. Emerson thought, wrote, spoke, and demonstrated his beliefs. The annotations are glorious. They range from noting that “empyrean” means heavens or sky, to illuminating, insightful comparisons of phrases in different pieces, accentuating strands of thought that course through Emerson’s belief system and his body of work.

Annotated collections aren’t on everyone’s list of must-read books. If you like Emerson at all, have an interest in his life’s work and the history of the time, or just love having a handsome, detailed, engrossing book to dip in and out of, this is a great volume to own. I had to have it.

Jim Morrison, the Book, the Music

by Mari Farthing

Did you see the news? Jim Morrison was pardoned for his 1969 conviction for indecency in Florida. Hearing about that story brought me right back to my introduction to Jim Morrison.

It didn’t start with the music with me, it started with a book. In the mid-1980s I was a teen living in small-town Wisconsin. We had no Internet, no MP3s, no iTunes; finding interesting music wasn’t as easy back then as it is now. I had a rudimentary knowledge of the Doors and Jim Morrison (classic rock reigned supreme on our radio airwaves), but I didn’t know much beyond the songs that got the airplay.

I got a gig babysitting every Thursday night for a young woman who lived down the block. She would come home late and we would sit and talk for a while. We talked a lot about music, boys and the things we shared in common. We liked a lot of the same music, and when she found out I liked the Doors, she gave me her copy of No One Here Gets Out Alive (by Jerry Hopkins & Danny Sugerman).

Wow. I was even more intrigued after reading this book. Morrison was a teenage dream for me – the ultimate bad boy fixer-upper, a sensitive, misunderstood handsome counter culture hero in skin tight leather pants.

I fell in love with his words; the lyrics, while at times were a bit too dark for me (“Father? Yes, son? I want to kill you.” From The End), most of them really struck a chord with me. It was strange that when I finally did get my Doors music (on cassette & vinyl), it surprised me how different the songs were from what I expected. I had created my own rhythm to the words I read, and it was like reading the words all over again when I listened to the songs.

The book offers a great peek into life on the Sunset Strip in the debaucherous 1960s, and it provides a great peek into a man who has become a mythical creature in the rock world. A bit over the top at times, it’s a great homage to Morrison written by fans of the man and the music.

If you’re a fan of the Doors (or just a fan of poetry), look into the books of poetry by Morrison. The books offer another form of insight into the mind of the self-proclaimed Lizard King; both Wilderness and Lords and New Creatures are good picks that take up real estate on my bookshelf. My personal favorite Morrison-penned poem (from Wilderness):

I am troubled
Immeasurably
By your eyes
I am struck
By the feather
Of your soft
Reply
The sound of glass
Speaks quick
Disdain
And conceals
What your eyes fight
To explain